A new generation of composers have worked with the professional musicians premiering the final projects for this year’s Cursus program. The year for this internationally recognized training in computer music ends with a concert presenting short pieces. It offers a diversity of formats, aesthetic and technological proposals, revealing the variety of sensibilities and musical worlds of artists from Argentina, the United States, France, Greece and Italy, Japan, and Lithuania.
Second part: Tuesday, September 8th, 8:30 p.m.
Her Majesty the Fool, for microtonal accordion and electronics
Fanny Vicens accordion
The Moth, for vinyl turntables and electronics
Roberto Maqueda percussion
Fragments d’une Fin, for piano CP-80 and electronics
Alvise Sinivia piano
Transduced, for 3 snare drums, 1 small cymbal, 1 standing bell, 3 transducers and electronics
Yannick Monnot percussion
Claudia Jane Scroccaro
I sing the body electric, for double bass and electronics
Florentin Ginot double bass
Educational support Ircam/Simone Conforti, Jean Lochard, Grégoire Lorieux, Mikhail Malt
Composer associated to the Cursus Thierry De Mey
Année Zéro – Benoît Martin, Guillaume Foresti
Duration : 1h
An IRCAM-Centre Pompidou production. In partnership with the Haute École de musique de Genève and the Académie supérieure de musique de Strasbourg – Hear. With the support of the Sacem. IRCAM and the Cité internationale des arts are partners for the Cursus composer residences.